Aging Imaginations


Updated 05-30-2006, 10:40PM



Frame #1 BLACK SCREEN STORYBOARD IMAGES ARE PRESENTED TO THE EDIT.
Frame #2 1. WIDE SHOT- very slow dolly (no end point) on house. Car enters, parks
Frame #3 2. LOW SHOT- (cam from ground level), MEGAN plays on the gound. Several people get out of car get out, legs in fore-out of focus
Frame #4 3.MED THREE SHOT- PETER IN CENTER FRAME. HAROLD moves off frame. STEPH stops. Steph: "Daddy?" Peter stops.
Frame #5 3a. CONTINUED SHOT, PETER STOPS
Frame #6 4. PETERS P.O.V. Men enter from off screen. MAN IN WHITE STOPS, FACES CAMERA
Frame #7 5.MED SHOT (Shot3a) Peter: "It's alright. We'll be in shortly."
Frame #8 6.Shot 4- Man continues on.
Frame #9 7. Shot 5. Peter kneels down to his daughter.
Frame #10 8. WIDE CLOSE UP, PETER. Peter: "Yes sweetheart?"
Frame #11 9. Reverse WIDE CLOSE UP, STEPH STEPH: "Are you going to be okay?"
Frame #12 10.shot 8. Peter: "I don't know."
Frame #13 11.Shot 9. Steph: "When do we get to see mommy again?"
Frame #14 12. Shot 8 Peter: "...go on inside. I'll be in shortly" STEPH: "okay" Steph steps past him...
Frame #15 12a. SHOT 8 CONTINUED Peter turns his head, watches her leave.
Frame #16 13. SHOT 2- PETER turns around (legs only seen)
Frame #17 14. Med full shot, Peter steps closer to camera
Frame #18 14a. END SHOT 14. Peter stops at Med Shot, pauses.
Frame #19 15.LOW SHOT (ANGULAR SHOT). Peter sits down. MED FULL SHOT DOLLY IN (NO DEFINED POINT)
Frame #20 16. CLOSE SHOT, PETER. TILT DOWN AS HE CRADDLES HIS HEAD. (OFF SCREEN) MEGAN: "Excuse me"
Frame #21 17. SIDE CLOSE SHOT- Peter moves back to reveal-
Frame #22 17a. -Megan med shot (MEGAN STANDING UP)
Frame #23 18. MEGS POV (CAMERA HIGHER, POINTED DOWN) MED CLOSE SHOT PETER: "Yes?"
Frame #24 19.Shot 17a Megan: "You look sad, why?"
Frame #25 20.Shot 18 Peter: "You live next door, dont you?"
Frame #26 21. Shot 15, Megan sits down, continue to dolly in (no defined point) Megan:"yes" Peter: "I forgot your name. I'm sorry" Megan:"Megan"..... Megan: "why"
Frame #27 22. Wide close up, Peter Peter: "...I dont know"
Frame #28 23. Peter in left fore, Megan moves closer:
Frame #29 23a. Megan: "who was it?"
Frame #30 24. Shot 22 Peter: "A friend..."
Frame #31 25. shot 23a. Megan: "all those people?"
Frame #32 26. Shot 22. Peter: "It was all one person'
Frame #33 27. Shot 23a Megan: "where'd she go?"
Frame #34 28. Reverse: Part of Megan in Right fore, full close up on Peter Peter: "...to heaven"
Frame #35 29. Shot 23a. Megan: "wow...my cat furball"
Frame #36 30. Full close up, Peter Peter: (forces a smile) "maybe"
Frame #37 31. Wide close up, Megan Megan: "..you miss her, dont you"
Frame #38 32. Shot 30. Peter: "yes." Megan:"well, how long will she be gone?" Peter: "...for good"
Frame #39 32.Close up Megans Hand: Pan and Tilt as megs hand touches petes
Frame #40 33. Shot 23a. Megan: "I want to show you something"
Frame #41 34.Med two shot: Peter: "I'm sorry, I really dont have the time" Meg: "This is will help, i promise!" Peter: "...alright" Meg: "Close your eyes"
Frame #42 35. Full close up: Peter shuts his eyes
Frame #43 36. Meg: wide close up: Meg: "Tighter...until you cant see any light!"
Frame #44 37. Shot 35. Peter tightens his eye lids Peter: "alright"
Frame #45 38. Shot 36 Meg: "now pretend your in a castle!"
Frame #46 39. Peter opens his eyes, hops up (CUT ON ACTION) Peter: "I have somwhere to be, excuse me"
Frame #47 40. Med two shot, Meg grabs Peter's hand. Megan: "please! Its important!"
Frame #48 41. MEGAN'S POV (CAMERA LOWER, POINTED UP) Med close shot. Reaction. Peter looks at her.
Frame #49 42. Megan looks at him (CAMERA FROM PETERS POV, CAMERA HIGHER, LOOKING DOWN) MED SHOT
Frame #50 43, Shot 29. Peter sits back down.
Frame #51 43a. CONTINUED. Megan: "you're really going to stay? Peter: "you remind me..."
Frame #52 44. shot 23a. Megan: "is she here?"
Frame #53 45. Shot 28. Peter: "shes inside"
Frame #54 46. shot 23a. Megan: "close your eyes again. (Peter closes his eyes) Do you two talk alot?"
Frame #55 47. Shot 28. Peter: "not as much as we should"
Frame #56 49. Shot 23a. Megan: "lets start simple. (closes her eyes) Picture a house. No a field!"
Frame #57 50. Shot 28. Reaction shot, peters opens his eyes then closes them..
Frame #58 51. BLACK SCREEN (VOICE OVERS) Peter: "I dont see anything" Meg: "your not.." Peter: "what kind of field?" Megan:"a big grass green field"
Frame #59 52. Wide shot, field. Pan right and....
Frame #60 52a. Continue PAN RIGHT, AND BOOM DOWN TO REVEAL...
Frame #61 52b. ...To Reveal PETER, MED SHOT. Peter: "now what?" Meg: "where am i?" (VOICE OVER) Peter: "you're supposed to be here?"
Frame #62 52c. CONTINUED FROM LAST SHOT, DOLLY RIGHT, PAN LEFT TO REVEAL...
Frame #63 52d. FINISHED DOLLY. MEGAN STANDS BEHIND HIM. MED SHOT Meg: "yes silly"
Frame #64 53. Med shot, Peter chuckles
Frame #65 54. Med shot Meg in differnt clothing (costume) Meg: "what?"
Frame #66 55. shot 47 Peter: "Thats my daughters favorite"
Frame #67 56. Shot 48 Meg: "Why is it so quiet out here?"
Frame #68 57. Shot 47. Peter looks around. SFX (CREATURE SOUNDS) now fill the air
Frame #69 58. FULL CLOSE UP, PETER Peter: (smiles) "I can actually hear them"
Frame #70 59. WIDE CLOSE UP, MEG Meg: "its just the beginning"
Frame #71 60. Med full shot, PETER, walks past MEGAN, DOLLY RIGHT to follow...
Frame #72 60a. Megan grabs his hand, starts running. Meg: "come on!"
Frame #73 60b. TRUCK RIGHT to follow, they run towards the woods. Peter: "where are we going?"
Frame #74 61. FULL CLOSE UP while running, MEGAN Meg: "that's up to you!!!"
Frame #75 62. FULL CLOSE UP, PETER, (WHILE RUNNING) Peter: "I...dont understand"
Frame #76 63. Shot 61 Meg: "Lets go somewhere else!!"
Frame #77 64. Shot 62 Peter: "who do i do that?"
Frame #78 65.shot 61. Meg: "just imagine yourself anywhere!"
Frame #79 66. MED TWO SHOT, TRUCK RIGHT as They head deeper into the woods.
Frame #80 67a. Peter slows down as he realizes hes deeper in the woods. CONTINUE TO TRUCK RIGHT, CAMERA MOVE SLOWS DOWN AS PETER SLOWS AND....
Frame #81 67b. Peter stops, looks around. CONINTUED SHOT.
Frame #82 68. FROM PETERS POV, Megan turns around, faces CAM, looks around. Med full shot Meg: "where are we?"
Frame #83 69. Med close shot, Peter. Peter: "..In the woods"
Frame #84 70. Shot 68, Meg steps closer to CAM Meg: "Are they pretty?"
Frame #85 71. Shot 69 Peter: "I guess" ..Meg comes into frame...
Frame #86 71a. Continued shot 64 Megan walks into frame, circles Peter. Megan:"describe it to me" Peter: "Well, there are falling leaves. And its really brown..."
Frame #87 72. PETERS POV, WIDE SHOT on FORREST, Pan right. Peter: "...Sunlight shines through the thick trees." Meg: "Sounds pretty"
Frame #88 73. shot 71a. Meg stops Meg: "Are we alone?" Peter: "There is no one else here." Meg: "Why?"
Frame #89 74. Close shot, PETER Peter: "Alright. I see..."
Frame #90 75. Med shot, PIRATE, behind a tree.
Frame #91 76. TWO MED FULL SHOT. Two seperate pirates.
Frame #92 77. Med close shot.
Frame #93 78. Med two shot. Peter: "...Pirates. They look like a movie I just recently saw."
Frame #94 79. Full close up two shot. Meg: (opens her eyes) "no, no, no, no, no!
Frame #95 80. Reverse, OTS, Close UP PETER Peter: (opens eyes) "what?"
Frame #96 81. Shot 79 Megan: "You're recreating, not imagining!"
Frame #97 82. Shot 80. Peter: "I don't know how"
Frame #98 83. Shot 79. Megan closes her eyes.
Frame #99 84. Petes POV. (cam looking down at meg) MED SHOT MED, Looking at CAM. Meg: "What makes you happy?"
Frame #100 85.WIDE SHOT: Lake, PAN RIGHT Meg: (VO) "Where are we now?" Peter: (VO) "This beautiful lake..." Meg: (VO) "Whos there?"
Frame #101 86. MED TWO FULL SHOT (IN SLOW MO) Playing on frame right.
Frame #102 87. MED TWO FULL SHOT, DOLLY INTO FULL CLOSE UP ON PETER. PETER: "My wife and my little girl stephanie"
Frame #103 88. Shot 86, reaction
Frame #104 89. CLOSE UP, HANDS. Megan takes his hand.
Frame #105 90. CLOSE SHOT, ON MEGAN. Meg: "Well, lets go over there" 90a. PAN & TILT UP TO CLOSE SHOT ON PETER Peter: "This isn't helping. I can't. I have to go"
Frame #106 91. OTS, MEG IN RIGHT FORE. PETER IN CENTER BACK. He opens his eyes.
Frame #107 92. Reverse OTS. Peter rises to his feet. Meg: "no, no no!"
Frame #108 93. MED TWO SHOT, PETER STANS UP, INTO A WIDE CLOSE UP> Peter: "I need to go" Meg: "Why?" Peter: "Becuase it hurts to much to think about them"
Frame #109 94. LOW OTS. MED SHOT (Megs Back) In right fore. Peter, Med full shot, In center back. Meg: "But you can see them--" Peter turns to face camera..
Frame #110 94a. CONTINUED SHOT Peter: "You're too young to understand, Excuse " He walks away.
Frame #111 95. MED SHOT, MEG, DOLLY OUT SLOWLY TO FULL SHOT. Meg: "I was...just trying to help."
Frame #112 96. LOW SHOT WIDE on PETER. Peter stops.
Frame #113 97. MED SHOT. Pete. takes a deep breath. HOLD ON CUT FOR EDIT.
Frame #114 98. MED FULL TWO SHOT- PETE SITS DOWN IN LEFT FOREGROUND FRAME....
Frame #115 98a. CONTINUED: SLOW DOLLY INTO MED CLOSE TWO SHOT. Peter: "Sometimes even though... Meg: "How?" Peter: "Becuase if i can never..."
Frame #116 99. FULL CLOSE SHOT, MEG Meg: "But if they are inb heaven..."
Frame #117 100. FULL CLOSE SHOT, PETER Peter: "..I suppose so."
Frame #118 101. Shot 99 Meg: "So, I dont really think..."
Frame #119 102. Shot 100 Peter: "I never thought of it that way."
Frame #120 103. Shot 98a FINISHED DOLLY Meg: "Yeah! I had a ton of fun..." Peter: "Well, can we try it one more time?" Meg touches his hand. Meg: "My friend, you have a lot to learn"
Frame #121 104. WIDE SHOT, LAKE, PAN RIGHT TO..
Frame #122 104a. FINISHED PAN (SLOW MO), FULL TWO SHOT ON STEPH AND ERIN Megan (VO): "Are we at the lake" Peter (VO) : "yes" Megan (VO) : "Everyone is there"
Frame #123 105. CLOSE SHOT PETER, DOLLY OUT TO A MED TWO SHOT, MEG, PETER. Megan is now holding the Cat. Peter: "Yes. Even Furball. "
Frame #124 106. REACTION SHOT (SHOT 97a)
Frame #125 107. MED CLOSE SHOT, MEG Meg: "What if..."
Frame #126 108. CLOSE UP PIECE OF FOOD, TILT UP TO...
Frame #127 108a. FINISHED TILT. STEPH HOLDS PIECE OF FOOD TO THROW.
Frame #128 109. CLOSE shot Meg Meg: "...And threw it!"
Frame #129 110. WIDE CLOSE UP, PETER. FOOD hits him in the face
Frame #130 111. WIDE CLOSE UP, MEG-she laughs.
Frame #131 112. MED TWO SHOT, PETER, MEG, PICNIC TABLE AND ERIN & STEPH IN RIGHT BACKGROUND.
Frame #132 113. CLOSE UP, FOOD. TILT UP TO.... Peter: "I suppose i'd have to..."
Frame #133 113a. CONTINUED SHOT: TO CLOSE SHOT, PETER. HOLDING FOOD. LOOKS OVER TO..
Frame #134 114. CLOSE SHOT, STEPH
Frame #135 115. SHOT 113a. PETER THROWS THE FOOD AT STEPH. Peter: "...Throw it right back"
Frame #136 116. MED SHOT, STEPH, Food hits her. She laughs, throws another Piece.
Frame #137 117. CLOSE SHOT PETER. FOOD HITS HIM, HE LAUGHS.
Frame #138 118. MED CLOSE SHOT, ERIN. She laughs. Then after a few seconds, ERIN gets hit with food.
Frame #139 119. CLOSE SHOT, MEG LAUGHS, THEN GETS HIT WITH FOOD.
Frame #140 120. SHOT 117. Peter continues to throw food. Laughs
Frame #141 121. Shot 118. Erin laughs, throws food.
Frame #142 122. MED SHOT, MEG, Laughs, throws food.
Frame #143 123. EXTREME CLOSE UP, PETER OPENS HIS EYES. DOLLY OUT TO REVEAL.. MAN 1: "PETER"
Frame #144 123a. CONTINUED SHOT, FINISHED DOLLY OUT. MEDIUM CLOSE THREE SHOT. MED TALK IN EACH OF HIS EARS. HAROLD: "Peter, are you alright" Peter: "Yes. Man2: "Are you sure"
Frame #145 124. FULL CLOSE UP, MEG. OPENS HER EYES. Peter (OS): "I'm fine."
Frame #146 125. FULL CLOSE UP, PETER. TWO CLOSE SHOTS IN BACK GROUND (HAROLD and MAN2) HAROLD: "Some people are asking about you inside" Peter: "Alright." TILT UP AS PETER RISES TO...
Frame #147 125a. FINISHED TILT TO A MED THREE SHOT. MEN IN BACKGROUND WALK OFF CAMERA FRAME (EXIT FRAME RIGHT)
Frame #148 126. PETERS POV. (MED SHOT, MEG) Peter looks at Meg.
Frame #149 127. Shot 125a. Peter: "Thank you."
Frame #150 128. Shot 126. Meg: "For what?"
Frame #151 129. Shot 118a. Peter: "For showing me how to live again." Peter steps away from her.
Frame #152 130. WIDE CLOSE UP, MEG. She closes her eyes, smiles.
Frame #153 131. MED SHOT PETER, TRUCK BACK as he walks forward. He steps in center frame, masking Meg in background...
Frame #154 131a. CONTINUED SHOT When he moves again Meg is gone (IN THE BACKGROUND
Frame #155 132. LOW TRACKING SHOT, FULL SHOT (STEPH) COMES OUT OF THE HOUSE AS HAROLD COMES IN PETER LEANS DOWN TO A...
Frame #156 132a. CONTINUED SHOT MED TWO SHOT, PETER AND STEPH STEP: "You seem differnt" PETER: "i am" STEPH: "Are we going to be okay?" PETER: "yeah. I want to...."
Frame #157 133. CLOSE TWO SHOT, GRACE AND JIM JIM: "Excuse me?"
Frame #158 134. CONTINUED SHOT 132a. STEPH: "okay" Peter stands up CUT ON ACTION (PETER GETTING UP)
Frame #159 135. SHOT 133 (EYE LINE CHANGES FROM DOWN TO UP) JIM: "I"m Jim..." GRACE: "how are you..."
Frame #160 136. WIDE CLOSE UP PETER PETER: "alright"
Frame #161 137. FULL CLOSE UP, GRACE GRACE: "we heard about the.."
Frame #162 138. FULL CLOSE UP, JIM JIM: "we can relate."
Frame #163 139. SHOT 136 CLOSE SHOT, PETER PETER: "Relate?"
Frame #164 140. Shot 133 JIM: "several years ago..."
Frame #165 141. Shot 136 PETER: "megan never said..."
Frame #166 132. Shot 137 Grace : "Megan?"
Frame #167 143. Shot 136 PETER: "yeah your daughter, I was just talking to her a few minutes... Peter turns his head.
Frame #168 144. PETERS POV, SIDEWALK. EMPTY STREET
Frame #169 145. REVERSE POV (SIDEWALKS POV) VERY SLOW PUSH (ZOOM) IN GRACE: "how did he know?" JIM: "I dont know how you knew that-- CUT ON DIALOGE-- (JIM)
Frame #170 146. OTS CLOSE TWO SHOT (JIM AND GRACE) JIM: "--But megan was the name our child that died"
Frame #171 147. CLOSE 136 SHOT, PETER Peter: "thats impossible..."
Frame #172 148. FULL CLOSE UP, GRACE ( SHOT 137) GRACE: "oh my god"
Frame #173 149. REACTION PETER (SHOT 136 )
Frame #174 150. SHOT 146 SLOW PUSH (ZOOM) ON JIM JIM: "Listen to me, I don't know how you got your information, but furball was megan's cat-- CUT ON DIALOGE (JIM)
Frame #175 151. SHOT 136 REACTION ON PETER, SLOW PUSH (ZOOM) IN JIM (CONTIN): "--The cat got out of the house one day and megan ran after it" CUT ON DIALOGE (JIM)
Frame #176 152. SHOT 146 CONTINUED CONTINUE TO PUSH IN JIM: "--They both got hit by a car. That's why I said we could realte. Your wife, and my daughter both died in a car accident."
Frame #177 153. CONTINUED PUSH ON PETER ( SHOT 136 ) REACTION on PETER...
Frame #178 154. SHOT 137 Grace: "who did you talk to?"
Frame #179 155. CLOSE UP, PETER...slowly smiles (SHOT 136, FINISHED PUSH) CUT TO....
Frame #180 BLACK SCREEN. THE END!!! QUE TITLES!!!



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